Louise Jallu, bandonéon
Too few will have been able to live up to this statue during his lifetime, remaining only on the surface when this multi-faceted personality invites a much more complex reading. It is this Himalayas that Louise Jallu dared to climb. Far from sinking into the pale copy, Louise Jallu adds her comments, notably opening up spaces for improvisation, even if it means taking the side of a certain irreverence to show all the more deference towards the Argentinean. History to stick to the singular post-modernity that inhabited his work. As a matter of course.
Jacques Denis
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France Musique/La Matinale - France Culture/Le réveil culturel - France Inter - RFI - Club Jazzafip - France Info TV
France Musique, Louise Jallu
Soledad - Astor Piazzolla
Tanguedia* - Astor Piazzolla
Tristezas de un Doble A (cadence au bandonéon) - Louise Jallu
Tristezas de un Doble A* - Astor Piazzolla
Libertango* - Astor Piazzolla
Oblivion* - Astor Piazzolla
Adiós Nonino* - Astor Piazzolla
Mi refugio (bandonéon solo) - Juan Carlos Cobián, d’après arr. Astor Piazzolla
Buenos Aires hora cero* - Astor Piazzolla
Los sueños - Astor Piazzolla
Lo que vendrá* - Astor Piazzolla
Louise Jallu, bandonéon
Mathias Lévy, violon et guitare électrique
Marc Benham, piano et Fender Rhodes
Alexandre Perrot, contrebasse
Louise Jallu, direction artistique
Louise Jallu et Bernard Cavanna, arrangements et compositions
Gino Favotti, sons additionnels
*Invités / Guests
Gustavo Beytelmann, piano et Fender Rhodes (2, 4, 5, 7, 9, 11)
Médéric Collignon, bugle (6)
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Francesita
Ars moderna